Wednesday, March 18, 2015

Underwood 5 Restoration: Escapement

In my opinion, nothing shouts "Typewriter" so much as an Underwood 5. Its strong cast iron frame and exposed mechanics have a strong beauty all its own that shows the transition from the 1800's to the 1900's.It is also interesting to note the design choices made by Underwood in building its famous desktop machine, which prove that it was in essence "Unrefined" so to speak. Case in point is the escapement. Of all the machines I've had the fortune to delve into, the Underwood 5's escapement is the most bearish, brutish, and beastly of them all. I could only think as much as I took it off the framework, and stared at it contemplating how long it would take to clean the entire thing. Well, 4 days after starting and roughly 6 or 7 hours (Maybe more. Alas that I don't have a time-punch to tell me just how many ticks of the clock I've devoted to my repair bench in a day), I am quite pleased with the results and happy that the most intricate part of the entire machine is done.

I took the entire thing apart, down to every screw. I then cleaned and painted the appropriate pieces (Mind you most of the metal is actually supposed to be blued I believe. I used black lacquer to restore it all, though.). I would caution anyone who wants to take these apart of the geared wheel; I, foolishly in my haste, did not anticipate ball-bearings. Not only are there ball bearings, there are 16 of them. Very teeny, tiny ball bearings. And they are not fun to put back into their correct spots. Other than that, the rest is easy.

 Old:
 Restored:

Old:
 Restored

Old:
 Restored:

Restored:

Sunday, March 8, 2015

From What Typewriter? A Guessing Game, Part 1

I've a few separate machines on the operating table as of the moment, and thought that I would see how well the Typosphere knows the random bits and pieces of the innumerable machine makes and models out there. 

Object 1:
Clearly a key lever. But from what machine did this come from?


Object 2:
Of all the machines which I've taken down to pieces to clean and restore, this particular machine has by far the most unique type-bar design.


Object 3:
Another type-bar, but with its own unique twist; This type-bar is only about 2 and a half inches in length.


Object 4:
A switch with a balled top. A curious feature that not many typewriters often use. This is looking at it as if you were peering from the inside of the machine outwards.




Wednesday, March 4, 2015

Underwood Typewriter Co. V. Fox Typewriter Co.



Patents. The omen of the Fox Typewriter Company, I swear.
From what I am able to tell, Underwood sued Fox due it distributing typewriters with tabulating attachments, specifically in New York. Underwood seems to have proved sufficient evidence for the previous judge and the currently shown judge that Fox had indeed infringed upon its patent and, therefore, illegally sold said machines in the district herein present.

Based on the date, the machine owned by Davis Typewriter Works may be an example of the machines in question.
(http://davistypewriters.blogspot.com/2011/03/dtw-wreck-report.html)






Sunday, January 18, 2015

Fox Typewriter Co. V. Corona Typewriter Co.

Who or What killed the Fox Typewriter Company?

Was it Colonel Mustard, in the study, with the candlestick?
Was it an evil and diabolical plan by typewriter-anarchists, bent on overthrowing the typing world one factory at a time?
Or was it simply a lack of positive marginal return on produced machines alongside the heavy burden of a legal dispute with another company?

Its the third option.

But! Who won the lawsuit? Well, many might say, obviously Corona. After all, Corona stayed around and Fox vanished into the oblivion of bankruptcy.

But the truth is not quite so easily explained. I present, Evidence No. l


Now, without proper knowledge of who was actually suing who over what, it's a bit hard to determine truly who won each separate stand. But, in following general rules in dealing with lawsuits, we can suppose to some degree of accuracy who instigated the thing overall:
The Fox Typewriter Co.
In lawsuits, it is usually the standard to have the Plaintiff stated as Vs the Defendant, rather than Defendant Vs. Plaintiff. Thus, as we find, the lawsuit was considered as the Fox Typewriter Co. V. Corona Typewriter Co.
BUT. BUT! I SAY, as it turns out this is not the case. I would direct your attention here to evidence No. 2:




If the evidence presented is true, then Corona did indeed instigate the lawsuit and brought forth 8 patents which it believed Fox infringed. 6 of those 8 were considered as validly held by Corona, and 5 of those 6 were considered infringed by Fox. All in all, the case took from June/July of 1919 to August 27th of 1920.

Of note, however, is that the apparent ruling in 1920 may have not been the end of it all. The date, if you'll look closely, on the gazette of the patent office is 1922. Fox was still in business by 1922 if sources are to be believed, and at that time just having started its production of the Model 3 portable known as the Sterling. Thus, unless the gazette was reporting on the decision rendered in 1920, then the lawsuit continued past the point of the intial verdict perhaps due to a counter-suit, or perhaps Corona decided it could bring a competitor to its knees once and for all, and keep its large market share, by throwing more and more allegations at Fox.

For a market share comparison between Fox and Corona, Corona produced roughly 480,000 machines between 1917 and 1923. Fox was able to almost match that with around 13,000. In other words, Fox produced about 2.7% the amount of machines Corona did.
(Corona production numbers from Typewriter Database)



The point of all this? The battle between Fox and Corona was a very uneven fight, but Corona started it and Corona finished it. The poor light running Fox never stood a chance.

Side note: At one point, Underwood sued Fox over patent infringement. Either Fox was a little less creative in its designs than one would have hoped, or the big bad companies were out to squash the little guys.





Gazette link:

(https://books.google.com/books?id=0-WvoN4I-7kC&pg=PA448&lpg=PA448&dq=fox+typewriter+company+suit&source=bl&ots=ZgMAHhUF57&sig=pBTkshgbqpi3LHyG52gWrudly3s&hl=en&sa=X&ei=vk-8VJv8FMq2yATD04HQDA&ved=0CB4Q6AEwAA#v=onepage&q=fox%20typewriter%20company%20suit&f=false)


Wednesday, January 14, 2015

A Wild Corona 3 Appears




(I'll have to keep it on a separate shelf from the Fox portables, to ensure no court battles ensue.)


Sunday, December 28, 2014

A Not Quite Sterling Sterling: A Guide to Dis-Assembly

Would anyone have guessed that Lo! There is yet another post about *drum roll please* the Fox Portables!
This post will detail how to take a Fox apart or, if the process is reversed, put a Fox back together. "Take a typewriter apart?" Someone has just surely gasped, "The audacity, the ignorance, the... the horror!" Well yes. It is horrifying to take a typewriter apart when its composed of hundreds and hundreds of individual peices which must be placed back just right, else the machine will fail to function correctly. But my feelings about antiques are not quite the same as many others. I feel that something of importance and antiquity should be, indeed, displayed for others to see or, if one is so inclinded, locked up in a private collection for the pleasure of but a few. Regardless of the choice, the point is that one should care. But the other point is that I feel such things are being done an injustice by not being used. Machines in particular, as they were built with the sole function of being used. And so, despite the rarity of the machine or the complexity of the parts, I delve into each machine I come to own, mainly to clean and beautify, and also to fix any errors that a machine may now have so long since its manufacture.
And thus I present, the Fox Sterling Portable Typewriter.


(Dont mind the missing platen. Before I thought about doing this post, I had already begun the dis-assembly process.)
The paint on this guy, save for its front plate (For some reason it seems Fox's just have paint issues with their front plates, no idea why that trend is so strong), is in wonderful, though tobacco caked, condition. There are other issues, as well, which will be described later, but soon enough this ol' typewriter will be able to do just that; type.

*Beginning the deconstruction: Day One*

The first step is taking the machine apart into its separate major pieces, of which there are a total of 3: The carraige assembly, the body assembly, and the frame. After taking the front plate off so the inside of the machine is exposed, we take the carriage assembly off by taking out the screw under the ribbon holder (1), and the one on the outside of the frame (2). Repeated for each side of the machine, the entire carriage will pop right off. Note that the screw in (1) also holds the hooked piece in, which is usually attached via spring to its counterpart (not seen, as the spring has been taken off to the piece slumped) to operate the worm-drive. Ensure this spring is safely taken off to avoid damaging it.


Your carriage should now be detached. On the folding machines, those two screw areas are the same for the most part and hold the carraige to the arms rather than the frame of the machine.

Next, we deal with the body and frame. There are two large screws on each side of the frame which bolt the body in tight: Where they connect on the inside of the machine (1) and on the outside of the frame (2)


Once these are out on both sides of the machine, you should be able to gently wiggle the body out of the frame, or pull the frame off the body. Whichever you choose, just be gentle.
You now have all three main pieces separated.



The next step is of your choosing, but I prefer to tackle the carriage first. The carraige is the more complex part, and after dealing with it its nice to work on the body which is simple, and almost impossible to mess up. And so, we begin with the carriage.


As mentioned above, I have already taken the platen off of this machine. Its quite simple to do, and is similar to most other machines in doing so. You should have no trouble with it. But what to do after its off, now theres the question, and there are multiple ways to go about it. I prefer to begin by now taking the sides off. Each nickel plated side is held onto the carriage by means of two screws located on the underside.


And now, for me, is the first puzzle. There is a screwhole in the center (Below), between the two others which hold the side to the carriage, which is not present on No. 1's or 2's. My best guess, in looking at the carriage as well, is that these are meant to be used to lock the carriage in place during transit since the usual feature of the folding's could not work on a sterling, and is thus absent. Alas that the manual for this machine found on (http://site.xavier.edu/polt/typewriters/tw-manuals.html) does not give any indication of how one would operate the carriage lock. The issue with my theory is that the holes on the carriage and on the piece dont line up very well. If you beleive you have the answer to this mystery, let me know in the comments below.


Next, we I find why the carriage was having issues moving correctly. For some reason, this is a commonly found type of damage on these Fox's.


sighing inwardly, I continue on. The next step for me is to take the margin stops off. To do so requires but to now take a single screw off the carriage, and slide both off the edge. Note that, when facing the machine as if to type, the smaller tipped one (right) goes to the right, and the larger tipped one (left) goes on the left. This allows for the machine to have its margin release, so ensure they go back on correctly.


Then we take off the front paper fingers by taking out another screw:

Now, we proceed to taking the carraige off the rail. Three simple pieces, held in altogether by 8 screws, keep the thing together. Watch out for the ball bearings falling out as the two main carriage pieces come apart.




And here below, ladies and gentlemen, is why you always lock your carriage before transport or throwing it off a cliff. The poor teeth never had a chance.


Now then, tears aside, its onwards to the escapement/everything else mechanism on the bottom of the carriage. There are three screws specifically which hold the piece to the bottom of the rail. Before removing them, I take the bell off to more easily access them, and also unscrew the backspacer from the rail piece.

Now we have the escapment/everything piece off the rail.


After this, I take off the pieces used to rotate the spools, and also take off the spring catch.

You are now at the last piece still screwed to the carraige rail, and quickly enough it should come off as well.


Your carraige assembly should now be in managable pieces, ready to be cleaned and properly oiled (The previous owner of this machine doused it in oil to, I assume, make it work. Broken escapement teeth defeat oil every time, however.)


Fox Sterling S12275, you shall type once more someday soon.

This concludes day one of dis-assembly of a Fox Sterling. Stay tuned for day 2, on which I tackle to body of the machine. It should be noted that, save for the lack of folding arms, lack of carriage lock, and new hole on the sides of the carriage, a Sterling is 99% like a No. 2 in both carriage and machine body.

Questions? Comments? Concerns? Feel free to respond below.

Keystroke Action Piece (c)